The two b-roll problems: storage and placement

B-roll hides two separate time sinks. The first is storage: most creators scatter footage across the camera roll, cloud folders, and downloads, so editing starts with minutes of hunting and you forget half of what you have. Wavcut fixes this with a real b-roll library that lives inside the editor, so the "find the clip" step disappears.

The second is placement: deciding where each clip cuts in, dragging it onto the timeline, trimming it, and syncing it to your words. Do that repeatedly per video and it dominates your edit. Wavcut handles the first pass of placement for you and lets you adjust, which is one of the largest time savings in short-form editing.

Automatic placement, then you tweak

The goal is not to hand the whole edit to a machine. It is to skip the repetitive assembly. Wavcut drops b-roll in at sensible moments based on your settings, producing a rough cut you refine rather than build. You keep control over every cutaway, you just do not start from an empty timeline.

Combine automatic b-roll with automatic silence cuts and captions and you get a finished first pass in one pass: tightened pacing, styled subtitles, and b-roll already placed. What is left is a quick review, which is how a clip can go from camera roll to post-ready in about the time it takes to watch it.

Consistency through presets

Save how much b-roll you like and how often it should cut in as part of a preset, alongside your caption style and silence-cut sensitivity. Every future video inherits that behavior in one tap, so your edits stay consistent without rebuilding the look each time.

Because everything runs on-device, your b-roll and your footage stay on your phone. No upload, no server round-trip, and the whole shoot-edit-post loop stays on one device.